The memories I have of the Anderson Collection span nearly a decade and are many.
As I wove through the galleries again this past November, the poignancy of a life dedicated to art-making reverberated from wall to wall--filling internal caverns with what only could be described as understanding and absolution. I had been wracked with guilt for a long period, ignoring the pleas of my once feverish discipline to push ahead and continue with the work I was set to do. Questions lingered: to where had my expression disappeared? From what source had the overwhelming air of stagnancy come?
While wrestling with these thoughts, I pressed upon myself to recognize life in its unadulterated form once more: the abstract, yet beautiful world of two- and three-dimensional bodies occupied by intention and meaning. Revisiting works from Pollock, de Kooning, Diebenkorn, Jay Defeo, Wayne Thiebaud and Nathan Oliveira (among others) provided my noisy mind with a quiet parallel. That afternoon, I ended up unpacking the past--one painting at a time, from one to another.
-OH
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