I am not much of a sentimentalist. I try not to have attachments. I clean out my physical surroundings frequently as a form of existential detoxification. Life is cluttered as it is with thoughts, there is little need for baubles that lack significance. So imagine my surprise a few weeks ago, when sifting through a Webster-thick stack of old writings to toss, I came across this sketch--a last pence for the painter who had run out of sustenance. It stopped me in my tracks. The quick, gestural, and carefree quality of the lines . . . the subtlety of a figure . . . an implication of thought and emotion--these were the reasons I salvaged the small, pocket-size drawing. Maybe. I am not sure.
I guess that is where the beauty lies, in not knowing.
I guess that is where the beauty lies, in not knowing.
I like that.